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Mona shivers. Getting up from her lowly position, she draws back the curtains of her window and looks out upon the night. It is brilliant with moonlight, clear as day, full of that hallowed softness, that peaceful serenity, that belongs alone to night.,

"Do you?" says Geoffrey, in a tone that means much.,

"It is Mr. Moore's retriever!" cries Mona, hurriedly, in a startled tone. "I must run. Down, Fan! down! Oh, if he catches me here, in this dress, what will he think? Quick, Geoffrey, give me my shawl!",

"Then I will sing you a song I was sent last week," says Mona, and forthwith sings him "Years Ago," mournfully, pathetically, and with all her soul, as it should be sung. Then she gives him "London Bridge," and then "Rose-Marie," and then she takes her fingers from the piano and looks at him with a fond hope that he will see fit to praise her work.

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Perhaps another reason for Mona's having found such favor in the eyes of "the biggest woman in our shire, sir," lies in the fact that she is in many ways so totally unlike all the other young women with whom the duchess is in the habit of associating. She is naive to an extraordinary degree, and says and does things that might appear outre in others, but are so much a part of Mona that it neither startles nor offends one when she gives way to them.,

How he wanted to look back! How he longed to see if his friend was really rising from that bit of blackened bone! But Talking Rock was strong-hearted. He controlled his desires. On and on he ran, and then—behind him the light tread of running feet, a firm hand gripped his shoulder, and a loved voice said, "Why so fast, my friend?" and stopping and turning, Talking Rock found himself face to face with Red Robe. He could not believe what he saw, and had to pinch himself and to hold his friend hard in his arms to believe that all this was real.,

But, though "lost to sight," to memory he is most unpleasantly "dear." Standing alone in the middle of the deserted field, Mona pulls to pieces, in a jerky, fretful fashion, a blade of grass she has been idly holding during the late warm discussion. She is honestly very much frightened at what she has done, but obstinately declines to acknowledge it even to her own heart. In a foolish but natural manner she tries to deceive herself into the belief that what has happened has been much to her own advantage, and it will be a strict wisdom to rejoice over it.,

Up the stairs she takes her and into her own room, without saying a word. Then she carefully turns the key in the door, and, placing Mona in a large and cosey arm-chair, stands opposite to her, and thus begins,—